Term |
Synonym |
Description |
Discipline |
Language |
Reference |
Conventionalities |
|
This concerns the fact that the creation process is predetermined in
that, having been made at some point in the past, they have been copied
by subsequent artists. So beside norms, it is important to keep in mind
local conventions and regional difference in art object choices/attributes |
|
English |
[2] |
Depiction form |
|
An art object that is made by the creator to mimic the subject |
|
English |
[2] |
En toto |
|
Interior of an outlined form has been pecked |
|
English |
[5] |
Excised |
|
Carving away the background around a form |
|
English |
[5] |
Informed method |
|
By informed methods we mean those that depend on some source of insight
passed on directly or indirectly from those who made and used the art object
- through ethnography, through ethnohistory, through the historical record,
or through modern understanding known with cause to perpetuate ancient
knowledge |
|
English |
[1] |
Formal method |
|
Using method that only relay on information which is immanent in the
art objects themselves, or which we can discern from their relations to
each other and to the landscape, or by relation to whatever archaeological
context is available |
|
English |
[1] |
Pitted boulder |
|
A boulder (usually a glacial erratic) with cupmarks on it |
|
English |
[5] |